Current Exhibitions: Shaping the Past
presented by Goethe-Instituts across North America between June and November 2021: Boston, Chicago, Houston, Kansas City, Los Angeles, Mexico City, Montreal, New York City, San Francisco, Seattle, and Washington, DC
July 2021: “Monuments for the Interim 24,000 years,” essay for Southern Cultures
October 5, 2020: Virtual Artist Talk for Disarticulate Ground, 7pm. Meeting ID: 997 2607 8394
September 4, 2020: OPENING, Disarticulate Ground, solo exhibition in the Suite Gallery, Lamar Dodd School of Art (UGA)
April 10, 2020: “Strange Boat”, Broun Fund Award
full news archive here
I'm an un-disciplined artist imagining markers/wayfinders (tactical public history) for landscapes which complicate our understanding of the American “South” as a territory. When viewed as a constellation, my projects conceptualize our current geological epoch against and through the logics of the plantation (violently differentiated life, uneven development, environmental degradations, social dislocations and atomization) at a planetary scale. I work primarily via site/sight based investigation to make photographs, videos, sculptures, and interventions.
I live between North Carolina and Athens, GA, where I’m an instructor and MFA candidate in the Lamar Dodd School of Art at the University of Georgia. You can download my CV here. Portfolio and exhibition images available upon request. This is a link to River Site Readings. Contact me at: asimps (at) protonmail (dot) com
I'm a contributor to ARTnews, where I write about artist's processes, and my work has been featured by Found Review, a publication for art criticism using only found materials. I was a 2019 National Fellow (as part of Take Action Chapel Hill collective) with Monument Lab, and I’ve worked on projects supported by the Center for Documentary Studies at Duke University and the Center for the Study of the American South at the University of North Carolina, Chapel Hill. Some of my work is available through Printed Matter [here].